Nude scene pump up the volume

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To be honest, this entire film has completely passed me by. Yes, there is. Stay in school, kids!

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Thinking about Slater nowadays gives me a kind of nauseous vertigo that I suppose is mostly about myself, but a little bit about his horrible choices. I covered my eyes and peeked out intermittently when I recently saw a trailer for Bullet to the Headin which Slater stars with Sylvester Stallone. Twenty-two years ago, Slater was everywhere, too.

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In a Musical, the world has certain exceptions. Intricated in the genre are tons of characters suddenly bursting into song and dance routines. But when a film is void of any other musical trends and is of a different genre, that is: war drama, thrillers, science-fiction and so on- leads it to be firmly defined as a non-musical film.

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I ended up batting one for two. They might almost be high-school thespians who had been cast in a Noel Coward play and then, when the play ended, just kept on acting that way. Then it uses that cartoonishness to make everyone on-screen seem irresistibly cute.

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Teenage frustrations, out-of-touch ex-hippie parents, suicide, homosexuality, a makeshift radio program and of course, sex--put these together and you have every teenybopper's dream of a cool movie. I mean, it's just so, like, deep, man. These and many other stereotypical or far-fetched sentiments appear in Allan Moyle's film, "Pump Up the Volume.

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Aryo, 18, has just enrolled in university. As he drives around Tehran in his father's car, Aryo and his friends bang their heads to a western power metal track. To approving nods, he says, "Metal music is great. We love metal music.

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His freeform monologues about all the things wrong with school and America are interspersed with listener phone calls and great songs from Descendents, The Pixies, Richard Hell, Beastie Boys, and others. When he sees his underground show infiltrating the campus via bootleg tapes and graffiti, it scares him a little. He also has trouble dealing with the advances of a fan Samantha Mathis who figures out his identity and encourages him to get his message out.

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A fanciful, romantic solution, proposed by the film's writer and director, Allan Moyle, is that the MTV generation abandon the tube to heed the mysterious call of nighttime radio. One of the smarter and more likable teen-age films of recent years, ''Pump Up the Volume,'' which opens today, stars Christian Slater as Mark Hunter, a shy, bookish teen-ager from New York who, after his family moves to Arizona, finds himself a misfit in his conservative suburban high school. Adding to his problems is the fact that his father, a former 60's radical who has been named the state's new high-school commissioner, has come to exemplify smug, conformist 90's materialism. From his parents' basement, using a homemade ham radio console, Mark begins secretly operating a pirate radio station on which he cultivates a funny, outrageous broadcasting personality and alter ego named Hard Harry.

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